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Possible Answers: AIR.
Last seen on: New York Times Crossword 27 Aug 17, Sunday
Random information on the term “___ quotes”:
A string literal or anonymous string is a type of literal in programming for the representation of a string value within the source code of a computer program. Most often in modern languages this is a quoted sequence of characters (formally “bracketed delimiters”), as in x = “foo”, where “foo” is a string literal with value foo – the quotes are not part of the value, and one must use a method such as escape sequences to avoid the problem of delimiter collision and allow the delimiters themselves to be embedded in a string. However, there are numerous alternate notations for specifying string literals, particularly more complicated cases, and the exact notation depends on the individual programming language in question. Nevertheless, there are some general guidelines that most modern programming languages follow.
Most modern programming languages use bracket delimiters (also balanced delimiters) to specify string literals. Double quotations are the most common quoting delimiters used:
Random information on the term “AIR”:
An air (Italian: “aria”; also ayr, ayre in French) is various song-like vocal or instrumental compositions, and can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria.
Lute airs emerged in the court of Elizabeth I of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French air de cour, they were solo songs, occasionally with more (usually three) parts, accompanied on a lute. (p. 306). Their popularity began with the publication of John Dowland’s (1563–1626) First Booke of Songs or Ayres (1597). His most famous airs include Come again, Flow my tears, I saw my Lady weepe, and In darkness let me dwell. The genre was further developed by Thomas Campion (1567–1620) whose Books of Airs (1601) (co-written with Philip Rosseter) contains over 100 lute songs and was reprinted four times in the 1610s. Although this printing boom died out in the 1620s, ayres continued to be written and performed and were often incorporated into court masques. (p. 309).