Cacophony

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Possible Answers: DIN, NOISE.

Last seen on: –Universal Crossword – Mar 6 2019
Eugene Sheffer – King Feature Syndicate Crossword – Mar 4 2019
Eugene Sheffer – King Feature Syndicate Crossword – Feb 12 2019
Eugene Sheffer – King Feature Syndicate Crossword – Dec 14 2018
Eugene Sheffer – King Feature Syndicate Crossword – Oct 22 2018
Eugene Sheffer – King Feature Syndicate Crossword – Sep 5 2018
LA Times Crossword 17 Jul 2018, Tuesday

Random information on the term “DIN”:

ISO 216 specifies international standard (ISO) paper sizes used in most countries in the world today, although not in Canada or the United States. The standard defines the “A” and “B” series of paper sizes, including A4, the most commonly available size. Two supplementary standards, ISO 217 and ISO 269, define related paper sizes; the ISO 269 “C” series is commonly listed alongside the A and B sizes.

All ISO 216, ISO 217 and ISO 269 paper sizes (except some envelopes) have the same aspect ratio, 1:√2, at least to within the rounding to whole numbers of millimetres. This ratio has the unique property that when cut or folded in half widthwise, the halves also have the same aspect ratio. Each ISO paper size is one half of the area of the next larger size.


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In 1786, the German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of

2

{\displaystyle {\sqrt {2}}}

in a letter to Johann Beckmann. The formats that became ISO paper sizes A2, A3, B3, B4, and B5 were developed in France. They were listed in a 1798 law on taxation of publications that was based in part on page sizes.

DIN on Wikipedia

Random information on the term “NOISE”:

Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. The genre took shape in the mid to late 1980s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore’s noise rock roots.

Hardcore punk typically features very fast tempos, loud volume, and heavy bass levels, as well as a “do-it-yourself” ethic. Music database AllMusic stated “these newer bands, termed post-hardcore, often found complex and dynamic ways of blowing off steam that generally went outside the strict hardcore realm of ‘loud fast rules’. Additionally, many of these bands’ vocalists were just as likely to deliver their lyrics with a whispered croon as they were a maniacal yelp.” Allmusic also claims that post-hardcore bands find creative ways to build and release tension rather than “airing their dirty laundry in short, sharp, frenetic bursts”. Jeff Terich of Treblezine stated, “Instead of sticking to hardcore’s rigid constraints, these artists expanded beyond power chords and gang vocals, incorporating more creative outlets for punk rock energy.” British post-punk of the late 1970s and early 1980s has been seen as influential on the musical development of post-hardcore bands. As the genre progressed some of these groups also experimented with a wide array of influences, including soul, dub, funk, jazz, and dance-punk. It has also been noted that since some post-hardcore bands included members that were rooted in the beginnings of hardcore punk, some of them were able to expand their sound as they became more skilled musicians.

NOISE on Wikipedia