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Random information on the term “ELO”:
Progressive pop is pop music that attempts to break with the genre’s standard formula, or an offshoot of the progressive rock genre that was commonly heard on AM radio in the 1970s and 1980s. It was originally termed for the early progressive rock of the 1960s. Some stylistic features of progressive pop include changes in key and rhythm, experiments with larger forms, and unexpected, disruptive, or ironic treatments of past conventions. Performers commonly produce their own material while opposing the influence of managers, agents, or record companies.
Since 1967, “progressive” pop has stood in contrast to “mass/chart” pop. Following the economic boom of the mid 1960s, record labels began investing in artists and allowing performers limited control over their own content and marketing. Groups who combined rock and roll with various other music styles such as Indian ragas and oriental melodies ultimately influenced the creation of progressive rock (or “prog”). After the 1970s, prog began selling poorly, opening a vacuum for a new, milder brand of progressive pop. During the 1980s, the New Pop movement attempted to bridge the divide between “progressive” pop and its mass/chart counterpart. By the 2000s, progressive pop gave rise to a host of popular, uncommonly large bands with an aversion to formal hierarchies.