This time we are looking on the crossword clue for: Not very bright.
it’s A 15 letters crossword puzzle definition. See the possibilities below.
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Possible Answers: PALE, DRAB, DIM, DOPEY, STUPID, MORONIC.
Last seen on: –NY Times Crossword 26 Dec 20, Saturday
–Newsday.com Crossword – May 29 2020
–Newsday.com Crossword – Apr 4 2020
Random information on the term “DIM”:
Dimmers are devices used to lower the brightness of a light. By changing the voltage waveform applied to the lamp, it is possible to lower the intensity of the light output. Although variable-voltage devices are used for various purposes, the term dimmer is generally reserved for those intended to control light output from resistive incandescent, halogen, and (more recently) compact fluorescent lights (CFLs) and light-emitting diodes (LEDs). More specialized equipment is needed to dim fluorescent, mercury vapor, solid state and other arc lighting.
Dimmers range in size from small units the size of a light switch used for domestic lighting to high power units used in large theatre or architectural lighting installations. Small domestic dimmers are generally directly controlled, although remote control systems (such as X10) are available. Modern professional dimmers are generally controlled by a digital control system like DMX or DALI. In newer systems, these protocols are often used in conjunction with ethernet.
Random information on the term “STUPID”:
Stupid was a short-lived grouping of constructivist artists, formed in Cologne in 1919. The founding members were Willy Fick, Heinrich Hoerle and his wife Angelika Hoerle (1899–1923), Anton Räderscheidt and his wife Marta Hegemann, and Franz Wilhelm Seiwert.
The Stupid group aimed to address sociopolitical issues through an art of proletarian character. Seiwert and Räderscheidt had previously been active in the Cologne Dada scene, along with Max Ernst. Ernst later described Stupid as “a secession from Cologne Dada. As far as Hoerle and especially Seiwert were concerned, Dada’s activities were aesthetically too radical and socially not concrete enough”. Seiwert described the group’s esthetic: “We are attempting to be so clear that everyone will be able to understand us.”
Räderscheidt’s studio was their base of operations, but by 1920 he had abandoned the constructivist style. The group exhibited together and issued a publication, “Stupid 1”, before disbanding.