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KEN.
Last seen on: Eugene Sheffer – King Feature Syndicate Crossword Answers – Mar 27 2023
Random information on the term “"The Hangover" actor Jeong”:
E, or e, is the fifth letter and the second vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is e (pronounced /ˈiː/); plural ees, Es or E’s. It is the most commonly used letter in many languages, including Czech, Danish, Dutch, English, French, German, Hungarian, Latin, Latvian, Norwegian, Spanish, and Swedish.
hillul
The Latin letter ‘E’ differs little from its source, the Greek letter epsilon, ‘Ε’. This in turn comes from the Semitic letter hê, which has been suggested to have started as a praying or calling human figure (hillul ‘jubilation’), and was most likely based on a similar Egyptian hieroglyph that indicated a different pronunciation. In Semitic, the letter represented /h/ (and /e/ in foreign words); in Greek, hê became the letter epsilon, used to represent /e/. The various forms of the Old Italic script and the Latin alphabet followed this usage.
"The Hangover" actor Jeong on Wikipedia
Random information on the term “KEN”:
Ken (stylized in all lowercase) is the eleventh studio album by Canadian indie rock band Destroyer, released on October 20, 2017 by Merge Records. Band Leader Dan Bejar began writing ken while on tour in Washington State. Many of the songs and sounds of the album were aesthetic callbacks to Bejar’s teenage years in the mid 1980’s, with loose ties to Thatcher era politics.
Band leader Dan Bejar “lifted” the name ken from an early version of the song “The Wild Ones” by Suede. Despite sharing a title, Bejar claims that he “was not thinking about Suede when making this record” and that it was ” unclear to me what that purpose is, or what the connection is”. Unlike previous records, Poison Season and Kaputt, Bejar composed most of the songs on guitar rather than on a computer. The majority of the songs on ken were written and debuted live while Bejar was touring in early 2017. In an interview with SPIN magazine, Bejar stated that recording ken felt like “singing to my teenage self” and was heavily influenced by the bands House of Love, and Church. Bejar characterizes ken as the first record where “a producer swept in,” stating that many of the drum machines, minimalist rhythms, and synth patterns on tracks like “Sky’s Grey” “came as a surprise to me.” The song “La Regle du Jeu” became more “euro-cabaret” in the studios compared to the original demo, with Bejar commenting “All of a sudden, the song had way more fangs than I had ever imagined.”