This time we are looking on the crossword clue for: Uncompromising.
it’s A 14 letters crossword puzzle definition. See the possibilities below.
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Possible Answers: STERN, HARSH, RIGID, GRIM, ADAMANT, STRICT, AUSTERE, EXTREME, HARDLINE, HARDCORE, DYEDINTHEWOOL, RELENTLESS, BRASSBOUND.
Last seen on: –NY Times Crossword 4 Mar 23, Saturday
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Random information on the term “RIGID”:
Stiffness is the rigidity of an object — the extent to which it resists deformation in response to an applied force.
The complementary concept is flexibility or pliability: the more flexible an object is, the less stiff it is.
The stiffness, k, of a body is a measure of the resistance offered by an elastic body to deformation. For an elastic body with a single degree of freedom (DOF) (for example, stretching or compression of a rod), the stiffness is defined as
where,
In the International System of Units, stiffness is typically measured in newtons per meter. In Imperial units, stiffness is typically measured in pounds(lbs) per inch.
Generally speaking, deflections (or motions) of an infinitesimal element (which is viewed as a point) in an elastic body can occur along multiple DOF (maximum of six DOF at a point). For example, a point on a horizontal beam can undergo both a vertical displacement and a rotation relative to its undeformed axis. When there are M degrees of freedom a M x M matrix must be used to describe the stiffness at the point. The diagonal terms in the matrix are the direct-related stiffnesses (or simply stiffnesses) along the same degree of freedom and the off-diagonal terms are the coupling stiffnesses between two different degrees of freedom (either at the same or different points) or the same degree of freedom at two different points. In industry, the term influence coefficient is sometimes used to refer to the coupling stiffness.
Random information on the term “GRIM”:
IRCAM (Institut de Recherche et Coordination Acoustique/Musique, or Institute for Research and Coordination in Acoustics/Music in English) is a French institute for science about music and sound and avant garde electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers.
Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on fast Fourier transforms, were made practical by technological contributions at IRCAM. For instance, researchers at IRCAM have developed a special microphone capable of isolating each of the cello’s four strings for separate amplification or electronic treatment. Along with tools for sound synthesis and analysis, IRCAM has played an instrumental role in developing programs for visualization of musical form with the creation of Open Music, a Lisp-based visual programming language.