This time we are looking on the crossword clue for: Vogue.
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Possible Answers: TON, RAGE, STYLE, FAD, TREND, MODE, CRAZE, FUROR, FASHION.
Last seen on: –The Sun – Two Speed Crossword – Jan 18 2021
–The Sun – Two Speed Crossword – Oct 26 2020
–The Sun – Two Speed Crossword – Dec 30 2019
Random information on the term “TON”:
The study of place names is called toponymy; for a more detailed examination of this subject in relation to British place names, refer to Toponymy in Great Britain. This article lists a number of common generic forms found in place names in Great Britain and Ireland, their meanings and some examples of their use.
Key to languages: Bry. Brythonic; C – Cumbric; K – Cornish; I – Irish; L – Latin; ME – Middle English; NF – Norman French; OE – Old English; ON – Old Norse; P – Pictish; SG – Scots Gaelic; W – Welsh
Random information on the term “RAGE”:
Rage (often called fury or frenzy) is a feeling of intense, violent, or growing anger. It is sometimes associated with the fight-or-flight response, and is often activated in response to being in the presence of a threat. The phrase “thrown into a fit of rage” expresses the immediate nature of rage that occurs from extended exposure to a threat. If left unchecked, rage may lead to violence against the threat.
Old French raige, rage (French: rage), from Medieval Latin rabia, from Latin rabies (“anger fury”), akin to Sanskrit rabhas (violence). The Vulgar Latin spelling of the word possesses many cognates when translated into many of the modern Romance languages, such as Spanish, Galician, Catalan, Portuguese, and modern Italian: rabia, rabia, ràbia, raiva, and rabbia respectively.
Rage can sometimes lead to a state of mind where the individual experiencing it believes they can do, and often is capable of doing, things that may normally seem physically impossible. Those experiencing rage usually feel the effects of high adrenaline levels in the body. This increase in adrenal output raises the physical strength and endurance levels of the person and sharpens their senses, while dulling the sensation of pain. High levels of adrenaline actually impair memory, as brought to light in Gold’s (2014) article. Temporal perspective is also affected: people in a rage have described experiencing events in slow-motion. Time dilation occurs due to the individual becoming hyper aware of the hind brain (the seat of fight or flight)[citation needed]. Rational thought and reasoning would inhibit an individual from acting rapidly upon impulse. An older explanation of this “time dilation” effect is that instead of actually slowing our perception of time, high levels of adrenaline increase our ability to recall specific minutiae of an event after it occurs. Since humans gauge time based on the amount of things they can remember, high-adrenaline events such as those experienced during periods of rage seem to unfold more slowly. It is safe to assume that there is truth in both theories.
Random information on the term “STYLE”:
In the visual arts, style is a “…distinctive manner which permits the grouping of works into related categories”. or “…any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made”. It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, “school”, art movement or archaeological culture: “The notion of style has long been the art historian’s principal mode of classifying works of art. By style he selects and shapes the history of art”.
Style is often divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are often made, such as between “early”, “middle” or “late”. In some artists, such as Picasso for example, these divisions may be marked and easy to see, in others they are more subtle. Style is seen as usually dynamic, in most periods always changing by a gradual process, though the speed of this varies greatly, between the very slow development in style typical of prehistoric art or ancient Egyptian art to the rapid changes in modern art styles. Style often develops in a series of jumps, with relatively sudden changes followed by periods of slower development.
Random information on the term “FAD”:
Flavin mononucleotide (FMN), or riboflavin-5′-phosphate, is a biomolecule produced from riboflavin (vitamin B2) by the enzyme riboflavin kinase and functions as prosthetic group of various oxidoreductases including NADH dehydrogenase as well as cofactor in biological blue-light photo receptors. During the catalytic cycle, a reversible interconversion of the oxidized (FMN), semiquinone (FMNH•) and reduced (FMNH2) forms occurs in the various oxidoreductases. FMN is a stronger oxidizing agent than NAD and is particularly useful because it can take part in both one- and two-electron transfers. In its role as blue-light photo receptor, (oxidized) FMN stands out from the ‘conventional’ photo receptors as the signaling state and not an E/Z isomerization.
It is the principal form in which riboflavin is found in cells and tissues. It requires more energy to produce, but is more soluble than riboflavin.
Flavin mononucleotide is also used as an orange-red food colour additive, designated in Europe as E number E101a.
Random information on the term “MODE”:
In linguistics, grammatical mood (also mode) is a grammatical feature of verbs, used for signaling modality.:p.181; That is, it is the use of verbal inflections that allow speakers to express their attitude toward what they are saying (e.g. a statement of fact, of desire, of command, etc.). The term is also used more broadly to describe the syntactic expression of modality, that is, the use of verb phrases that do not involve inflexion of the verb itself.
Mood is distinct from grammatical tense or grammatical aspect, although the same word patterns are used for expressing more than one of these meanings at the same time in many languages, including English and most other modern Indo-European languages. (See tense–aspect–mood for a discussion of this.)
Some examples of moods are indicative, interrogatory, imperative, emphatic, subjunctive, injunctive, optative, potential. These are all finite forms of the verb. Infinitives, gerunds, and participles, which are non-finite forms of the verb, are not considered to be examples of moods.